sound equipment packages

Sound Packages

Sound equipment packages come in various types and sizes, specifically designed for different types of film productions, including fiction, documentary, and commercial projects. The choice of a specific package depends on the content of the film’s story and the director’s vision. It is important to consider the required sound quality and the location of the recordings when selecting a package. The costs of a sound equipment package can vary depending on the scope and complexity of the project. It is important to have a clear budget before searching for a provider of sound equipment packages.

Efficient Sound packages for Fiction and Documentary Filmmaking

For fiction and documentary projects, I take a flexible approach with equipment packages, depending on the complexity and scale of the shoot. For smaller shoots, where simpler sound recordings are required, my XS or S Package is often sufficient. This package includes all the essential equipment needed to deliver high-quality audio without unnecessary expenses.

For more complex shooting days, such as those with multiple sound sources or intensive dialogue scenes. I use the M or L Package. This setup provides additional equipment to capture every detail, ensuring that your production is fully supported from a technical sound perspective.

Communication and flexibility are key during any production. I work closely with you to make sure that the planning is precise, particularly when it comes to changes or last-minute adjustments. This ensures I know exactly what is needed on each shooting day.

I approach commercials differently, using a basic package that includes a recorder and a boom microphone. Any additional equipment, such as wireless microphones or monitoring gear, will be listed separately on the quote and then billed accordingly. This way, you only pay for what’s needed for your project.

I offer transparent, flexible solutions for each production day, ensuring that your project is supported with high-quality audio. If you have any questions or want to discuss a custom package, feel free to get in touch!

Package XS

Package S

Package M

Package L

Package XL

Package XS

Package S

Package M

Package L

Package XL

brands i trust to work with

Panamic
Manfrotto
Ambient
Avid Protools
Logic Pro
Mammut
Pelican
Zaxcom

Schoeps
Sennheiser
DPA
URSA
Hide-A-Mic
Viviana
SKB

Consultation and Equipment Selection

The choice of a package is always made in consultation with you, but I determine what’s necessary based on the content of the story and the information I receive. This information typically comes through the director’s vision, camera plan, production meetings, or the script. It’s crucial for the film’s content that the details are accurate and complete.

If the information provided is incomplete or incorrect, it can lead to miscommunication, which may result in the absence of the right equipment or, worse, that the recordings cannot be captured in the best possible way. Plans, scripts, schedules, and PPM meetings might change without prior notice. Should any unexpected situations arise on the shoot day that require extra equipment, this will be billed separately.

Sound Equipment Rental Terms

When you choose one of my sound packages, the production rents the equipment directly from me. This means I also act as a rental provider for the necessary audio gear. Once the equipment is in use, the production becomes responsible for its care and proper handling.

Production’s Responsibility for Equipment

This arrangement ensures that I have full control over the quality and condition of the gear used. However, only I and my sound crew are authorized to operate the equipment during production. Any damage to the equipment caused by individuals outside the sound crew will be the production’s responsibility. I strongly recommend that productions handle the equipment with care and ensure proper insurance coverage.

Need More Information? Contact Us!

If you have any questions or need further clarification about the rental agreement, don’t hesitate to reach out!

Workflow Files

Terms & Conditions

EQUIPMENT

Recorders:
Zaxcom Nova 16ch (first unit)
Zaxcom Nomad 12ch (second unit)
Zaxcom Maxx 8ch (Third unit)

Microphones:
2x Sennheiser MKH-8050 super cardoid
2x Sennheiser MKH-8060 shotgun
1x Schoeps MK41 super cardoid
1x Schoeps CCM 8 bi-directional
3x Sanken Cos11 lavaliers
2x DPA 6061
5x DPA 6060

Suspensions/wind protection:
1x Cinela Piani-3 MS [ mike use: MKH8060 & Schoeps MK8 ]
2x Rycote WS [ mike use: MKH8050 ]
1x Rycote WS [ mike use: MKH8060 ]
2x Rycote Inv-Lite [ mike use: MKH8060 & MKH8050 ]

Wireless:
1x Zaxcom QRX200 Receiver
2x Zaxcom ZMT3 Transmitter
3x Zaxcom TRLA3 Transmitter
1x Zaxcom ZMT Phantom 2
1x Zaxcom ZMT 4
1x Zaxcom TRX743
4x Zaxcom Wireless ERXTC TC
6x Zaxcom URX50 In Ear Monitoring Receiver [ guide track for director & cam dept. ]
1x Zaxcom RX12 Receiver
5x QRX212 Receiver Modules

Timecode:
4x Tentacle E-sync
4x Zaxcom ERXTC

Boompoles:
1x Panamic Maxi
1x Panamic XS
1x Doc Ambient Med

Extra:
1x Zaxcom Aria 8
1x Zaxcom Aria 4
1x Telephone call to record
1x In ear Bumblebee set
2x Soundcart
x Acoustic Carpets
x Acoustic blankets
x Multiple Headphones or earphones
1x Cedar DNS2 Noise Suppressor

sound equipment packages​

Sound Packages​